Anne-Marie Oomen | On Writing
ANNE-MARIE OOMEN, Award-winning Michigan author, writer, poet, Interlochen Arts Academy, Writing Workshops, Poet in Residence, Writer in Residence, Writing Residence
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September 29, 2019 In On Writing

How Does Writing Work: An Interview

At risk of self-aggrandizement, I’m posting this interview I did for Millicent Hill.  Well, maybe it’s a little self-aggrandizing, but I hope there is substance enough here to offer some insights along with the ego.  For several years, my friend and brilliant poet, Arra Ross, who teaches at Saginaw Valley State University here in Michigan, has set up interviews between her students and the writing community.  She usually emails, asking if I am...

June 3, 2019 In Lake Love Letters Project

Lake Love Letters Project

Dear Friend, I love our waters: lakes, rivers, wetlands, little sinking ponds, remote swamps. If it’s wet, I’ll probably like it. And of course, I’m worried about all of them, as I know many of you are. I often wonder what I can do. I’m not a scientist, politician, lawyer, not even a very good journalist. I often feel inadequate, a “fish out of water” when...

May 2, 2019 In Lake Love Letters Project, On Writing

Launch Fun: Notes on Small Scale Book Launches

Recently, a former student from the Solstice MFA program where I teach, Jenifer DeBellis, wrote me that her first book, Blood Sisters, had been accepted. She was excited but uncertain how to shepherd it into the future with that “human touch.” Then a similar question from T.J. Harrison on the acceptance of her book, The Fruit of Love and Grief.  Both of these women had worked hard, weathered rejection, triumphed over...

October 30, 2018 In On Writing

Reading My Own Words: Some Practical Thoughts

Recently my friend Kelli Fitzpatrick, writer of speculative fiction extraordinaire, emailed, paying an unexpected compliment.  She’d won a literary prize and had been asked to do a big public reading, and like all of us in those situations, was feeling the nerves. She noted that she always loved the way I read (I always thought she read well!) and would I offer some suggestions for...

February 8, 2018 In On Writing

AMO on Writing: Thoughts on later Stage Revision

Later Stage Revision? For some folks: bleh.  For me, a continuously surprising set of interactions with a draft. It’s alive.  Later stage revision is marked by confidence, terror, skills, commitment, uncertainty, practice, inspiration, boredom, feedback, deadlines, the state of the draft, sleep and coffee. Among other things.  Sound familiar?  I can only share my own experience; yours will be a different drama, but we writers...

June 23, 2017 In Lake Love Letters Project, On Writing

Lordy I Love That Word

Let me proclaim it: I love the Lordy word. Not I love the Good Lord, an entirely different thing; I’ll discuss that shortly. Why do I love the word Lordy? First, it’s one of those exclamations I caught myself saying for the first time in a long time because, though I’d almost forgotten it, it was suddenly everywhere. I’d lost it in my willingness to...

December 6, 2016 In On Writing

Exploding Moments

Exploding Moments—it looks like shattered glass but it’s not. I was on Aquinas College campus to speak for the Contemporary Writers Series Twentieth Anniversary. In addition, I had only one hour with forty students at Aquinas College for a mini lesson. That old challenge. One hour. Since teaching graduate school I no longer think in one hour segments, only in two-to- four hour teaching segments....

January 19, 2016 In On Writing

Diary of a New Play, Day 3

Dawn in Chicago. Warmer today.  Snowing, but a little warmer—not that I’m going outside. I open the script.  I stare at the page.  I take some notes.  I tinker with the preliminary information but I’m really thinking about the guy who will play the expert.  Last night, Beth told me about him. Tucker. I looked him up.  Creds.  Just makes me more scared.  I stare...

January 16, 2016 In On Writing

Diary of a Play, Day 2

Diary of a play, Day 2, still taking notes, asking myself and my artistic consultant ridiculous questions. How do I make art of an out-of-control metaphor. ...